NUSHU

Another great band, Nushu gives us the dreamy harmonies on “Precious To Me.”  POWER POP REVIEW

NUSHU’s Hula is an intoxicating amalgamation of girl-group sweetness and power poppin’ melodicism, sung and played (for the most part) by two very talented singer/songwriter/multi-instrumentalists, Lisa Mychols and Hillary Burton. If Lisa’s name sounds familiar, she was formerly the frontwoman for the late, great Masticators, who helped light up the Los Angeles indie-pop scene from 1998-2001. NUSHU’s sound is less frantic and a bit more polished than the Masticators’, but Hula still brings the guitars out in full force, particularly on tracks such as the charming, ’60s-influenced “Leave Me Behind” (which sounds not unlike the Shangri-La’s mixing it up with Joan Jett), the speedy, ridiculously catchy gem ”Here’s to Feeling Free” (which sounds not unlike the G0-Go’s playing aural footsie with the Undertones) and the hit single in waiting “Everything & More” (which just sounds great).

All 13 tracks here leave indelible marks, and are impeccably played (listen for Burton’s Keith Moon-inspired drum fills on “Synthia”) and sung (Burton and Mychols both manage to vocalize sweetly without sounding cloying on their leads and harmonies). And lest you think that the dynamic duo is all about the rock, give a listen to the smoothly atmospheric slow one, “Weary Eyes” (co-written by Mychols and longtime cohort Steve Kobashigawa) and the gorgeous, keyboard-led “Something in Between,” which was co-written by Hula’s producer, Steve Refling. With the enticing Hula, NUSHU provides the perfect summer soundtrack for power pop boys and girls everywhere.  JOHN M. BORACK - GOLDMINE MAGAZINE.COM http://www.goldminemag.com/blogs/cd-review-nushu-hula

Right before I popped this in the player I was listening—as I often do—to the great girl group ‘60s box, Girl Group Sounds. Funny, this L.A. female duo sound like their space age sisters, updated by loud, modern, punky power-pop! Lisa Mychols and Hillary Burton write, sing, and play nearly the whole album, drums, bass, guitars, keyboards, and blasting harmonies, and sound like they’re having a riot, even without seeing their smiling faces in cheery flower dresses on the cover. This is what The Donnas should have sounded like; Nushu remind strongly of a chunkier Wednesday Week or The Bangles when they were the less slick The Bangs, plus bits of The Last, Nerves, The Beat, Dickies, Muffs, and other great L.A. power-pop/rocking bands that kept the girl group/Beatles pop magic coming with biting guitars… and adult girl lovelife songs. Ahh! (nushumusic.com) JACK RABID - The Big Takeover (#66, May 2010)

Hula:: Nushu
ROCK BEAT INTERNATIONAL (summer 2011 edition)
By Geoff Cabin
Hula is the second album by Nushu, a duo that consists of singers, songwriters, and multiinstrumentalists Hillary Burton and Lisa Mychols. In spite of the impression
given by the album title and artwork, Nushu haven't taken up Hawaiian music. Rather, the album is filled with catchy, guitardriven pop rock that is reminiscent of the Go-Go's and the Bangles. Whether writing separately or together, Mychols and Burton consistently come up with strong material. Between them, they also play nearly all of the instruments on the album. The album kicks off with the one-two punch of "Leave Me Behind" and "Here's to Feeling Free,~ both of which are classic examples of guitar POP. combining catchy pop tunes with an aggressive guitar attack. •Something in Between• is a gorgeous ballad with a slow-burning groove. "Like the Sun" features a catchy melody set to a jaunty rhythm and embellished by Beach Boys-style vocal harmonies. On "Everything and More" Nushu set a catchy pop tune to a punkish guitar sound. "Synthia" is another catchy rocker, given a bit of a retro eighties feeling by a synthesizer. All in all, Hula is an outstanding effort from Nushu.

MUSIC REVIEWS : Hula - NUSHU
Dan Pavelich, Kenosha News
Boy, if you're looking for a really swell summer soundtrack, that sounds great in the car, this is it. The girls from NUSHU return with their sophomore effort, which is a sensational collection of power pop perfection. The slinky shuffle 'Leave me behind' starts things off, sounding much like an undiscovered Annette Funicello track, only a bit more aggressive. "So Long Myabe" and "Your Girl" continue the retro yet modern vibe and will surely cause many beach goers to slice some sand this summer. Hillary Burton and Lisa Mychols, who make up NUSHU, have voices that naturally blend well together. So much so, in fact, that at times it can be difficult to discern who's singing which part. While they individually handle a number of instruments capably, both are exceptional drummers. I guarantee this one will be on my list of favs this year. "Hula" is one of those rare albums where all elements seem to be working in real harmony. Very well done.

Power Pop Review
Monday, 4 August 2008

International Pop Overthrow Festival

The first band that caught my attention, 'Nushu' are reminiscent of the Go Gos, Veruca Salt and an early, looser, Bangles. One song called 'Spill' has the manic energy of the Ramones crossed with the Go Gos. Another, 'Pop Sound' is almost a Radio Jingle for the genre we love. If I was DJ somewhere on the airwaves, I'd certainly use it. This band made IPO festival organizer David Bash's top 100 albums of 2007 and was actually number 11 on that list! The band has released one CD called 'Nevermind Lullaby' and you can hear 4 of the bands tracks on their MySpace site. http://powerpopreview.blogspot.com/2008/08/ipo-early-lead-from-bright-young-things.html



Review of our songs Spill and Alexander Zabriel at EARTASTE.com

Wednesday, September 10, 2008
Nushu – Spill b/w Alexander Zabriel
This hump day dance gets started with a pogo-like opening – try not to spill your margaritas! This is joyful pop, and it’s fun to look at what causes all the joy. I hear so many songs where the boy loses the girl and he gets the blues. Well, in this song, the girl loses the boy and she is ecstatic. Such is the difference in viewpoints, lol! The two singers harmonize wonderfully on “cross my heart and hope to be free of you and misery.” The chorus is adamantly smiling as the singers chant “Leave me alone!” Fun dance rhythms, garage-sounding guitar work, exciting drums, steady beating bass. “Noisy sounds that fill my head play to every word you said. Quit spilling on me! You’re dragging me down!” The shout-out flipside is a fascinating southern California flavored caribbean beat keeps the party hopping up and down with smiles wider than the humongous margarita glasses at this party. “Hearing music somewhere around possessed me body going up and down. I couldn’t stop me feet - drove me wild with each beat.” The main protagonist in this story could either be Alexander or a cheetah, and it’s very possible both are the same. You decide. I enjoy the mystery and the magic of the happy rhythms, despite the complaint of the narrator, “Me feet were finally aching and me back felt out of place. This dancing is like a devil with a tail I’ve got to chase!” Lol!!! Thanks for the bubblegum punkpop! Nushu. http://eartaste.blogspot.com/2008/09/nushu-spill-bw-alexander-zabriel.html


…. The vocals recover the essence of the feminine American bands of power pop – SOITU.ES (SPAIN)

...The CD is called Nevermind Lullabye but it isn’t the angsty grunge of Nirvana or a quiet lullabye that’s on offer here -rather it’s a power pop album with great female vocal harmonies, solid guitar work and catchy melodies – CABIN ESSENCE


…Spill opens the album in high-voltage, with punk energy, gentle vocals and melodies, followed by So Glad You Dig Me and Need To Be - and the record starts not to hide the influences of The Go Go' s, Bangles even indie muse Tanya Donelly and Belly - POWER POP STATION (BRAZIL)